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The arts in health: the icing on the cake?

In this latest Guest Blog, Daisy Fancourt, DaisyFancourtNew Generation Thinker 2017 and Senior Research Associate in the Department of Behavioural Science and Health at UCL  talks about the effect of arts on health. Interestingly, Daisy also appeared on BBC Breakfast on 19th July talking about the All-Party report “Creative Health: The Arts for Health and Wellbeing” on the benefits of arts prescribing and arts in health.

Creative Health


On 17 March, I took part in my first interview as a 2017-2018 BBC/AHRC New Generation Thinker at the Free Thinking Festival at Sage, Gateshead. Eleanor Rosamund Barraclough, a previous New Generation Thinker herself, was my interviewer. She asked about my work: how I got interested in the field and what I’m working on. But then Eleanor asked a question I wasn’t expecting. “What’s the limit here. The arts can support our health in some ways, but surely they can’t, for example, fix a broken leg?”


This is a good question, not because the arts can fix broken legs, but because it is a question that comes from wanting to understand the scope of what research is showing: wanting to know how excited we should get about the new research papers coming out each month, but also where this excitement should stop because the arts do have a limit. They do not represent complete solutions to all health problems.

This question has stuck with me since. Although there is now a plethora of evidence showing the effects of the arts on a range of mental and physical health conditions [], it could be possible to see the use of the arts in health as the icing on the cake: a wonderful way of enhancing health within societies once the fundamentals of healthcare are in place, but unnecessary, perhaps even flippant, in the context of major health challenges. However, if we look around the world, we actually see the opposite. Sometimes, in the face of the toughest health challenges, there are still important roles for the arts. A pertinent example of this is the Ebola virus epidemic from 2013-2016.

During the outbreak in West Africa, some of the major challenges were the abundant rumours and misunderstandings about the disease. There were instances of people who were affected hiding from medical staff, Ebola survivors being outcast from their societies and even healthcare workers being murdered. [] To combat this misinformation and support public health messaging, one of the strands of action was to mobilise the arts.weowntv

Spread Knowledge to Stop Ebola’ programme was developed by WeOwnTV; a San Francisco-based non-profit organisation. It involved Sierra Leoneans themselves being trained in film making and creating short films in their own words to raise public understanding about Ebola. The films built on local oral traditions and storytelling and combatted misinformation.

Stop Ebola Now: Through Creative Storytelling’ was a programme with UNICEF Liberia that involved the development of a 5-episode radio serial drama that addressed the reality of the Ebola epidemic. The programmes were sensitive to local cultural values and perceptions of Liberian audiences. The programmes contained songs and jingles alongside drama to help fight myths, including those surrounding survivors to help them reintegrate into communities. 



And Songs such as Ebola in Town by Rapper Shadow were released that warned about how Ebola could be caught. With the most crucial messages looped over an electro-dance beat, the rap song became popular in Liberia along with a ‘no-touching’ dance. Details of songs regarding Ebola can be found here

Of course the Arts can directly fix a broken leg. But they are also not confined to only being the ‘icing on the cake’. During emergency situations such as epidemics, the arts do have a role to play: they have the power to turn critical health messages into something accessible, emotive and sensitive to cultural traditions. They have the power to make people listen.

For more information on the use of the arts in Ebola response, visit

To find out more about the use of the arts in health, my new book Arts in Health: Designing and Researching Interventions is now available to order:

Follow #ArtsinHealth

If you are interested in international collaboration, did you know AHRC allows international collaborators on most of its schemes?  Please see our Website for details of such opportunities.

New Generation Thinkers 2018 is now open for applications.  For more information please visit the website


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Immigrants and Propaganda: The 1517 Evil May Day Riots

May Day Riots

May Day Riots. Picture Source St Paul’s Cathedral

In this latest Blog, Dr Joanne Paul, Lecturer in Early Modern history at the Centre for Early and Medieval Studies at the University of Sussex and a New Generation Thinker from 2017, talks Rioting and 1517, with brief thoughts on such events as they relate to the present day.

After Easter, a certain preacher, at the instigation of a citizen of London, preached as usual in the fields, where the whole city was in the habit of assembling with the magistrates. He abused the strangers in the town, and their manner and customs, alleging that they not only deprived the English of their industry, and of the profits arising therefrom, but dishonoured their dwellings by taking their wives and daughters. With this exasperating language and much more besides, he so irritated the populace, that they threatened to cut the strangers to pieces and sack their houses on the 1st of May” – Venetian ambassador, 5 May 1517

1517 start of riot cheapside xenophobic speech Evil May Day Ill protest against foreigners living Lo

May Day Riots. Picture Source St Paul’s Cathedral

In the late hours of 30 April 1517, a mob of about 2000 Londoners took to the streets to abuse and even kill the European apprentices they perceived as taking their jobs. City officials, including the humanist Thomas More,

Thomas More - Source Pixabay

Thomas More – Source: Pixabay

rode out to try to calm them, to no avail. The rioters ransacked areas inhabited by foreign apprentices and traders, until the Lords marched in with men-at-arms and quelled the riots in the early hours of 1 May. Contemporary reports suggest as many as 25,000 troops were inside and surrounding central London. Rioters arrested were gibbeted about the town, and many were hung, drawn and quartered.

Execution of Thomas Armstrong

Execution of Thomas Armstrong, 1684. Source: Wikipedia. Published before 1923 and public domain in the US

It is what happened after that is most interesting, as the Crown turned a desperate attack on foreigners into a strengthening of state power. According to the papal nuncio, another 400 rioters were condemned to the same traitor’s death, but the queen, Catherine of Aragon, ‘with tears in her eyes and on her bended knees, obtained their pardon’ before the king and Lords, an act ‘performed with great ceremony’. But this was not the end of such performance. On 22 May, a large crowd of Londoners (the nuncio says 15,000) gathered in Westminster Hall, which was hung with ‘tapestry of cloth of gold’ and ‘canopy of brocade’. Cardinal Wolsey and the king delivered long speeches ‘reproving [the people] for their rebellion’. The prisoners were then ‘paraded’ in, ‘with ropes about their necks, as if to be executed’ and they immediately ‘threw themselves on their knees, shouting “Mercy!”‘. Wolsey and the other nobles joined in, begging the king on their knees to forgive the prisoners (knowing full well he already had). The king, apparently moved, ‘after addressing the people again, pardoned the rioters and had them released, so much to the popular satisfaction, that everyone wept for joy.’ The riot against foreigners had been recast as a rebellion against the state, and the result was a reaffirmation of loyalty to the Crown.

Henry VIII and his Eight Wives 1491-1547

Henry VIII and his Six Wives 1491-1547. Source: Pixabay


The cause of the riots had been a combination of economic downturn (as well as the arrival of the sweating sickness) and the sort of rhetoric from mid-level public figures mentioned in the excerpt above. The result was a strengthening of central state control through effective performance and propaganda. The lessons that can be gathered from analysing this event are crucial ones, which shed light on the ways in which immigration, propaganda and the power of the state are linked today, as well as prompting reflection on effective means of resistance.

St Paul's Cathedral from the Copperplate map of London, 1550s circa 1553.

Detail showing St Paul’s Cathedral from the “Copperplate” map of London, 1550s.

                                                     Sourced via Wikipedia. c 1553

Ann Saunders and John Schofield (eds), Tudor London: a map and a view (2001)

Additional Material:

‘This is the strangers’ case/ And this your mountainish inhumanity’ Thomas More addresses the rioters in a monologue by William Shakespeare performed by Sir Ian McKellen (with introduction, monologue begins at 2:28).

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